shine acoustic
the name come from a favorite muse's song.... here i try to keep the feeling of it using ''visual notes''...
shine acoustic
sooothe:

wholesomescraps2:
Spoon full ‘o Moss, by Mitsuru Katsumoto
galasai:

Justin Guthrie
Knifed, 2013
On Tumblr
atavus:

Sam Jennings - Cupid’s Kiss, 2013
ZoomInfo
rejouir:

Artist Juliana Santacruz Herrera has transformed the streets of paris through her visual intervention using braided strips of colourful fabric. Seeing the many cracks and potholes of the city as the ‘canvas’ of her project, the site-specific pieces are a playful addition to the grey urban setting. Long lengths of dyed fabrics are braided and then coiled into the shallow breaks in the street. Often made up of a combination of bright colours, the resulting effect creates a graphic and visually-arresting contrast to the city’s palette. 
rejouir:

Artist Juliana Santacruz Herrera has transformed the streets of paris through her visual intervention using braided strips of colourful fabric. Seeing the many cracks and potholes of the city as the ‘canvas’ of her project, the site-specific pieces are a playful addition to the grey urban setting. Long lengths of dyed fabrics are braided and then coiled into the shallow breaks in the street. Often made up of a combination of bright colours, the resulting effect creates a graphic and visually-arresting contrast to the city’s palette. 
rejouir:

Artist Juliana Santacruz Herrera has transformed the streets of paris through her visual intervention using braided strips of colourful fabric. Seeing the many cracks and potholes of the city as the ‘canvas’ of her project, the site-specific pieces are a playful addition to the grey urban setting. Long lengths of dyed fabrics are braided and then coiled into the shallow breaks in the street. Often made up of a combination of bright colours, the resulting effect creates a graphic and visually-arresting contrast to the city’s palette. 
rejouir:

Artist Juliana Santacruz Herrera has transformed the streets of paris through her visual intervention using braided strips of colourful fabric. Seeing the many cracks and potholes of the city as the ‘canvas’ of her project, the site-specific pieces are a playful addition to the grey urban setting. Long lengths of dyed fabrics are braided and then coiled into the shallow breaks in the street. Often made up of a combination of bright colours, the resulting effect creates a graphic and visually-arresting contrast to the city’s palette. 
arpeggia:

Letha Wilson - Hug Grand Tetons, 2011| More posts
Rorschach
tav. IX
Ludmiila Kazinkina